Search: Starring Miranda Richardson

This is entirely Duvall's film. He gives himself a T-bone of a role, which he exploits with due diligence and compassion.

Despite Gugu Mbatha-Raw's fine interpretation, the film feels predictable, as if it were fiction and not based on real events.

The beauty of Chicken Run is its refusal to accept modernity as having squatting rights in a Yorkshire state of mind. Park's heart is with the comics his dad read.

The film breaks the rule that says Winston saved us, he cannot be criticised

Jordan's film stands out as a beacon of humanity.

Falling Angels is a film of quiet charm, graced by moments of nicely observed humour and great performances.

Fred Claus has a lot of things going for it but struggles because it can't make up its mind what it's trying to be.

For the first time in what has become known as The H P Experience, you feel genuine emotion.

It would be difficult to overestimate the quality of this film.

Absence of innovation will please traditionalists.

Told in an accessible and reassuringly crowd-pleasing way.

Has an interesting script by Murray Watts, a wonderful sense of place and an imaginative use of flashbacks, where a painterly technique emulates memory.

It is like nibbling for nearly two hours in the kitchens of the best chefs. At the end we are exhausted and hungry.

A considerably flawed, yet visually superb, tale of beauty, beast and love.

Everything you expect happens.

Its conception seems stunted from the outset by an inability to engage.

It's hard to know exactly where the humour is heading, which is refreshing, but when it hits the high notes, it's both quirky and delivered with razor precision.

Caton gets to exercise his acting muscles more than usual and the chemistry between the two performers is strong, leading to some poignant moments towards the end.

Natural talent cannot entirely make up for lack of training and experience.

For what is essentially a psychological horror film, Spider is remarkable for its quietness, its unassuming grace.

At a time when ghouls have been relegated to cereal packets, Burton resurrects an Edwardian fascination with horror.

The film has grit as if volcanic dust had scorched its rose tinted glasses

A delight from beginning to end.

Well framed and assembled, with plenty of good performances.